A Wedding Photographer Reviews the Leica Monochrom

“Be quick, but don’t hurry.” – John Wooden, former UCLA basketball coach

I love this quote and I think it fits perfectly with photography.

I started out with Rangefinders in wedding photography. Partly because those are the tools I had but also because I loved the intimacy I could achieve with a Leica due to it’s small size.

I’ll probably get some flack for this from film lovers (hey, I’m one too) but with their new Monochrom  – black and white 18mp digital Rangefinder, Leica has put the “Tri-X” back into digital photography. Perhaps they’ve even put the tried-and-true love of black-and-white back into wedding photography.

I think there’s a different thought process with black-and-white photography versus color photography. With the Monochrom, I don’t have the mindset, “I’ll just convert to black-and-white during post processing,” which can sometimes be lazy. I find myself taking time to think about the image before creating it, just …

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Remote Camera Setup Made Simple

When you don’t want to put your expensive camera far from where you’re working, or prefer to avoid hoisting thousands of dollars of camera gear on a stand surrounded by crowds of people, a simple solution is the GoPro.

There are no remote controls, no triggers to plug in, and the camera is half the size of an iPhone. The camera easily attaches to a tripod, light clamp or light stand. While the GoPro can record in still and video mode, I use it only for still images so I can create a time lapse video of the event, wedding, conference, etc.

Recently I was asked by a charity group to create a time-lapse of a playground being built in New Orleans. I was also photographing the event with my Leica rangefinders. I needed to find a simple solution for a few reasons. First, there’s not a remote method to record stills with …

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